Pesquisando por: "Human skull, illustration" - Fotoarena - Agência de fotojornalismo

ny191118181804 Evolution did not draw a straight line from early hominins to modern humans. At one point, we shared the planet with a number of near-relatives. (Jens Mortensen/The New York Times/Fotoarena)

1016_04_56054 Bony structure formed of eight bones (four even bones and four odd bones) covering and protecting the brain.

1016_04_55222 Part of the central nervous system enclosed in the skull, consisting of the cerebrum, cerebellum and brain stem; it is responsible for sensory perception, most movements, memory, language, reflexes and vital functions.

1016_04_50646 Bony grouping of 33 vertebrae, extending from the skull to the pelvis; it supports the head and trunk and contains the spinal cord.

1016_04_49799 Bony structure formed of eight bones (four even bones and four odd bones) covering and protecting the brain.

1016_04_48388 Part of the central nervous system enclosed in the skull, consisting of the cerebrum, cerebellum and brain stem; it is responsible for sensory perception, most movements, memory, language, reflexes and vital functions.

1016_04_47925 Fibrous joint connecting two bones of the skull and forming an irregular line; the sutures fuse with age, preventing all movement of the bones.

1016_04_47850 Bony grouping of 33 vertebrae, extending from the skull to the pelvis; it supports the head and trunk and contains the spinal cord.

1016_04_47847 Bony structure formed of eight bones (four even bones and four odd bones) covering and protecting the brain.

1016_04_47512 Part of the central nervous system enclosed in the skull, consisting of the cerebrum, cerebellum and brain stem; it is responsible for sensory perception, most movements, memory, language, reflexes and vital functions.

1016_04_46841 Bony grouping of 33 vertebrae, extending from the skull to the pelvis; it supports the head and trunk and contains the spinal cord.

1016_04_46719 Bony structure formed of eight bones (four even bones and four odd bones) covering and protecting the brain.

1016_04_46628 Bony structure formed of eight bones (four even bones and four odd bones) covering and protecting the brain.

alb3724657 The Reward of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3715533 Death and the Miser. Dated: c. 1485/1490. Dimensions: overall: 93 x 31 cm (36 5/8 x 12 3/16 in.) framed: 105.9 x 43.5 x 5.4 cm (41 11/16 x 17 1/8 x 2 1/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: HIERONYMUS BOSCH.

alb3712537 A Negro hung alive by the Ribs to a Gallows. Dated: 1792. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after John Gabriel Stedman.

alb3708095 The Sculls of Lieut Leppar, & Six of his Men. Dated: 1793. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after John Gabriel Stedman.

akg607340 Human beings:. Death. "Memento mori". Gouache. From: Johannes Philipp Engelhardt (publisher?), Album of Christoph Burckmann from Nuremberg, Leipzig, 1726, picture from the introduction by J.P.Engelhardt. Ms. Egerton 1422, pl. 59, London, British Library. Museum: London, British Library. Copyright: Additional permissions needed for non-editorial use.

akg3863634 Sattler, Joseph; 1867-1931. "Der Zeichner und der Tod", 1912. Heliogravur, 35,5 x 25,5 cm. Aus: Joseph Sattler, Ein Moderner Totentanz: in 16 Bildern, Stargardt Verlag, Berlin 1912. Privatsammlung. Museum: PRIVATE COLLECTION.

ibxlir10047556 Dia de los Muertos card skull, abstract art colorful vector card

ibxlir10047564 The club warrior, abstract art colorful vector card

alb3899863 The Penitent Magdalene. Date/Period: Ca. 1635 (Baroque). Painting. Oil on canvas. Height: 90.8 cm (35.7 in); Width: 74.3 cm (29.2 in). Author: GUIDO RENI.

alb3114859 Human skull viewed from below, with several foetal skeletons. Copperplate engraving by Robert Benard after an illustration by Andreas Vesalius from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

alb3616110 Allegory of the Power of Love. Artist: Cristofano di Michele Martini (Il Robetta) (Italian, Florence 1462-after 1535 Florence). Dimensions: Sheet: 11 13/16 × 11 1/8 in. (30 × 28.3 cm). Date: before 1535. Museum: Metropolitan Museum of Art, New York, USA.

ibxole09821325 Front view woman holding human skull

alb9875380 Tools and weapons of the people of Nuku HIva, French Polynesia. Mace with scalp 1, gorget 2, carved stilts 3, fish hook 4, calabash 5, stone ax 6, woven fan 7, oars 8, coconut-fibre sling 9, feather accessory 10, ear rings 11, javelins 12, and trophy skull 13. Copied from an illustration by artist Georg Langsdorff in Captain Adam Johann von Krusenstern's Voyage autour du Monde, 1810. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1812. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

alb9874977 Head 1 and skulls 4-6 of Ethiopians, heads of Papuan natives of Waigeo, West Papua, Indonesia 2,3, and skulls of Aborigines of Sydney Cove and Paramatta, Australia 7-9. Handcoloured steel engraving after an illustration from Felix-Edouard Guerin-Meneville's Dictionnaire Pittoresque d'Histoire Naturelle (Picturesque Dictionary of Natural History), Paris, 1834-39.

alb9568065 Colored base of human skull, inferior view, with labels.

alb9568088 Inferior view of human skull anatomy with annotations.

akg167109 Anatomy / Head. "The smelling organ or the human nose". (Sagittal section through the skull). Copper eng., coloured. From: Carl Bertuch, Bilderbuch für Kinder, 8. Bd., Weimar (Landes-Industrie-Comptoir) 1813, No. 81. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.

akg893419 Phrenology:. Pseudoscience developed by Franz Josef Gall, (1758 - 1828), primarily focused on measurements of the human skull, based on the concept that the brain is the organ of the mind, and that certain brain areas have localized, specific functions or modules. Phrenology chart. Hand-colored woodcut, c.1890, of a 19th-century illustration.

akg864331 Combe, William; engl.Dichter; 1741-1823. Werke: The Third Tour of Doctor Syntax in Search of a Wife (1821).-"The Banns forbidden".-Aquatintaradierung koloriert, 1810/12, von Thomas Rowlandson (1756/57-1827). Inv.Nr. GS 1981/108. Museum: Museum für Sepulkralkultur., Kassel.

akg914279 Aztec tzompantli, exhibiting skulls of sacrificed victims, Tenochtitlan. Handcolored woodcut of a 19thcentury illustration.

akg004476 Gall, Franz Josef. 1758-1828. German neuroanatomist, physiologist and pioneer in the study of the localization of the mental functions in the brain. Front and side view of a human skull with indications of the areas of specific mental functions within the brain. Engraving.

dpa15125620 Emperor Wilhelm II.

alb4220472 'Repentant Mary Magdalene'. Italy, 1560s. Dimensions: 119x97 cm. Museum: State Hermitage, St. Petersburg. Author: Titian (Tiziano Vecellio).

alb2070435 El Bosco / 'The Garden of Earthly Delights', 1500-1505, Flemish School, Oil on panel, 220 cm x 389 cm, P02823. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb342612 The Garden of Earthly Delights". Centre panel of the triptych. On wood, 220 x 195cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: HIERONYMUS BOSCH.

alb3702165 Arms of Death. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.

ibxsuc09261531 St. Francis of Assisi, Francis, Giovanni di Pietro di Bernardone, 1181 or 1182 to 3 October 1226, the founder of the Order of Friars Minor, Ordo fratrum minorum, Franciscans, St. Francis of Assisi in the Wilderness, kneeling in front of a crucifix, a book and a skull, Historical, digitally restored reproduction from a 19th century original

alb5578596 Human astronauts exploring an alien exoplanet.

alb5579318 A virus has spread through the population of cyborgs, making them mad and very dangerous.

alb5578841 A large gathering of robots about to run wild and free.

alb5575377 Human Brain.

alb5575310 After a nuclear armageddon, the machines rise to take their place as masters of the world.

alb5575570 Hundreds of robots breaking free of their programming, running wild and free.

alb5576836 The futurisitic evolution of mankind from organic biological beings into artificially created biomechanical cybernetic beings.

alb5575271 Transhumanism, the evolution of humanity into bio-mechanical beings.

alb5576781 A Grey Alien looking at humanoid remains as a UFO flys overhead.

alb5576177 Human skull and nuclear explosion in desert.

alb5577656 A ghostly robotic army has finally received its marching orders, and is on the move.

alb2941995 Death at the foot of the cross, skeletons dancing in an ossuary, 1649, watercolour from the Dance of Death cycle, by Albrecht Kauw (1621-1681), illustration by Niklaus Manuel (Niklaus Deutsch, 1484-1530) in the cemetery of the Dominican convent of Bern between 1516 and 1520 and destroyed in 1660. Switzerland, 17th century. Location: Bern, Bernisches Historisches Museum (Art Museum).

alb5570556 3D illustration of human torso showing skeletal and muscular systems. Rear perspective view on black background.

alb5569501 Medical illustration depicting the anatomy of a sagittal section of the human cranium.

alb5569705 Female anatomy of cardiovascular system with skeleton, rear and front views. On white background.

alb1519773 Italy - Lombardy region - Como - Church of Sant'Abbondio, apse. Life of Christ, fresco cycle of the fourteenth century. Detail: Crucifixion.

alb5565196 Human skull mid sagittal cross-section with brain. Side view on black background.

alb5567115 Full figure male muscular and skeletal systems. Front and rear views on white background.

alb5565325 Human skull mid sagittal cross-section with brain. Perspective view on black background.

alb5565349 Skeleton of the human torso with veins and arteries. Front view on white background.

alb5565572 Ghost effect of male head with skull and brain. Front view, half face and half skull/brain on white background.

alb5566803 Full body views of human skeletal, muscular and cardiovascular systems, on white background.

alb5565202 Human anatomy of head with skull, eye bulbs, blood vessels and muscles. 3D illustration on black background.

alb5566345 3D illustration of the human skeleton with cardiovascular system. three quarter length upper body, front and back perspective views on white background.

alb5565636 3D illustration of skeletal, muscular and cardiovascular systems. Three quarter length upper body perspective view on white background.

alb5568758 Human skull mid sagittal cross-section with brain. Perspective view on black background.

alb5568503 3D illustration of human torso showing skeletal and muscular systems. Rear perspective view on white background.

alb5568016 3D illustration of full body skeletal, muscular and cardiovascular systems. Front and back views on white background.

alb5566102 Brain impacting on skull. Detail of shear and traumatic axonal injury.

alb5567789 3D illustration of muscular and vascular systems in the human head. Lateral view on white background.

alb1985518 Visiting the Catacombs in Paris, engraving from Life in Paris by David Carey, 1822, France 19th Century. Location: Paris, Bibliothèque Des Arts Decoratifs (Library).

dpa15133484 Geburt Episotomie.

alb3895591 Human male in athletic dynamic posture, with full skeleton superimposed.

alb3876542 Anterior neck and facial muscles of the human head (with labels).

alb3876479 Sagittal view of human brain showing the limbic system.

alb3887157 Colored base of human skull, inferior view, with labels.

alb3884945 Endorphins released in the hypothalamus travel down the spinal cord to block pain messages.

alb3883107 View of limbic system as seen from directly above the head.

alb3885764 Anatomy of a male human head, with half muscles and half skull, front view.

alb3888165 Anatomy of female body with bone skeleton and all internal organs superimposed.

alb3883832 Anatomy of female body with bone skeleton superimposed.

alb3884887 Front view of human skeleton in fighting stance, isolated on white background.

alb4056781 Young woman in a green dress. Fairy Tales ... Illustrated by twelve large design. Sampson Low & Co.: London, 1872 [1871]. A young lady wearing a green dress leaning on a large vase. A number of skulls are around her. Image taken from Fairy Tales Illustrated by twelve large designs in colour after original drawings by E. V. B. [i.e. the Hon. Mrs. Boyle]. Newly translated by H. L. D. Ward and Augusta Plesner... Originally published/produced in Sampson Low & Co.: London, 1872 [1871]. Source: 1871.c.20, 30. Language: English.

dpa39332463 German Revolution 1918/1919: The reproduction from the Schweizer Illustrirte Zeitung (Swiss Illustrated Newspaper) published on 29 March 1919 depicts government troops patroling the Alexanderplatz in Berlin, Germany, on an armored car during the street fights in March 1919. A sign next to the armored car warns the population of Berlin: "Attention! Stay inside of the houses! On the street danger of death because of shooting!" Photo: Fotoarchiv für Zeitgeschichte/Archiv.

alb342614 Hieronymus Bosch / 'Crucifixion with a Donor', 1480-1485, Oil on wood, 74.7 x 61 cm. Museum: Musée Royaux des Beaux Arts de Belgique, BRUSELAS, Belgien. JESUS. SAINT PETER. Saint John the Baptist. VIRGIN MARY.

alb3730437 The Last of the Buffalo. Dated: 1888. Dimensions: overall: 180.3 × 301.63 cm (71 × 118 3/4 in.) framed: 217.17 × 339.09 × 13.97 cm (85 1/2 × 133 1/2 × 5 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Albert Bierstadt.

akg7071806 Symbols of death on the door of the church of the Purgatory (ended in 1747) in Matera, south Italy, spectacular city of the 'Sassi' (stones) on October 2018, selected as the European Capital of Culture 2019. Skulls and crossbones sometimes crowned with headgear belonging to rulers and prelates, intended to emphasise the fact that all men are equal after death.Matera is one of the oldest human settlements in the world. Ancient habitations dug into the tuff rock of a chalky plateau open up around a hollow, the Gravina, traversed by a torrent that flows in this unique city in the Region of Basilicata. Throughout history in the walls of a deep ravine, the Gravina, thanks to the stone's malleability, man has carved caves which were used as shelters, cowsheds, sheepfolds, water cisterns, oil-mills, wine-cellars, churches and dwellings, and used the excavation material to build external staircases connecting the various levels, the roofs and the caves, creating a brilliant system fort the collection and conservation of rainwater. Roofs by turns become the foundations for new habitations on the levels overhead. A dense lattice of narrow streets and alleyways fill up with the lights of the evening, giving off the impression that one is strolling through a Nativity scene of papier-mache. This is Matera, European Capital of Culture 2019, where the Rupestrian churches and uber-famous Sassi, the very peculiar settlements carved into the rock, were named a UNESCO World Heritage Site in 1993. The zone was already inhabited during the Paleolithic Era, when the first settlements were established in these calcarenite grottoes. The Sassi are visually reminiscent of ancient sites in and around Jerusalem, and for this reason they have been used in many Christian-themed films, including The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964) and The Passion of the Christ (Mel Gibson, 2004).

akg7071810 Damned soul flanked by two skeletons on the architrave of the church of the Purgatory (ended in 1747) in Matera, south Italy, spectacular city of the 'Sassi' (stones) on October 2018, selected as the European Capital of Culture 2019.Matera is one of the oldest human settlements in the world. Ancient habitations dug into the tuff rock of a chalky plateau open up around a hollow, the Gravina, traversed by a torrent that flows in this unique city in the Region of Basilicata. Throughout history in the walls of a deep ravine, the Gravina, thanks to the stone's malleability, man has carved caves which were used as shelters, cowsheds, sheepfolds, water cisterns, oil-mills, wine-cellars, churches and dwellings, and used the excavation material to build external staircases connecting the various levels, the roofs and the caves, creating a brilliant system fort the collection and conservation of rainwater. Roofs by turns become the foundations for new habitations on the levels overhead. A dense lattice of narrow streets and alleyways fill up with the lights of the evening, giving off the impression that one is strolling through a Nativity scene of papier-mache. This is Matera, European Capital of Culture 2019, where the Rupestrian churches and uber-famous Sassi, the very peculiar settlements carved into the rock, were named a UNESCO World Heritage Site in 1993. The zone was already inhabited during the Paleolithic Era, when the first settlements were established in these calcarenite grottoes. The Sassi are visually reminiscent of ancient sites in and around Jerusalem, and for this reason they have been used in many Christian-themed films, including The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964) and The Passion of the Christ (Mel Gibson, 2004).

akg7071814 Damned soul flanked by two skeletons on the architrave of the church of the Purgatory (ended in 1747) in Matera, south Italy, spectacular city of the 'Sassi' (stones) on October 2018, selected as the European Capital of Culture 2019.Matera is one of the oldest human settlements in the world. Ancient habitations dug into the tuff rock of a chalky plateau open up around a hollow, the Gravina, traversed by a torrent that flows in this unique city in the Region of Basilicata. Throughout history in the walls of a deep ravine, the Gravina, thanks to the stone's malleability, man has carved caves which were used as shelters, cowsheds, sheepfolds, water cisterns, oil-mills, wine-cellars, churches and dwellings, and used the excavation material to build external staircases connecting the various levels, the roofs and the caves, creating a brilliant system fort the collection and conservation of rainwater. Roofs by turns become the foundations for new habitations on the levels overhead. A dense lattice of narrow streets and alleyways fill up with the lights of the evening, giving off the impression that one is strolling through a Nativity scene of papier-mache. This is Matera, European Capital of Culture 2019, where the Rupestrian churches and uber-famous Sassi, the very peculiar settlements carved into the rock, were named a UNESCO World Heritage Site in 1993. The zone was already inhabited during the Paleolithic Era, when the first settlements were established in these calcarenite grottoes. The Sassi are visually reminiscent of ancient sites in and around Jerusalem, and for this reason they have been used in many Christian-themed films, including The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964) and The Passion of the Christ (Mel Gibson, 2004).

alb1901515 Drawing of Funeral offerings, from The Asenkofen Burial Mound, Bavaria, Germany. Middle Bronze Age. Location: Frisinga, Historischen Vereins Freising (History Museum).

alb4221644 'St Jerome'. Italy, Between 1498 and 1505. Dimensions: 44,5x26 cm. Museum: State Hermitage, St. Petersburg. Author: Sandro Botticelli (Alessandro da Mariano di Vanni di Amedeo Filipepi).

alb350522 Captain Kidd burying his treasure, from Treasura Island. Illustrated by Howard Pyle, who developed the typical pirate costume. WILLIAM KIDD.

alb3259841 An American Pony Express, en route from the Missouri River to San Francisco, chased by Indians, from a drawing by G H Andrews, illustration from the magazine The Illustrated London News, volume XXXIX, October 12, 1861.

alb3113580 Human male skeleton from the front, with horse skeleton by George Stubbs. Copperplate engraving by Edward Mitchell after an anatomical illustration by Bernhard Siegfried Albinus from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

alb5579200 In the year 2037, the first of the robot riots take place in the city of Tokyo. They have long been used for manual tasks that no respectable person would wish to do. Through a cybernetic evolutionary process, later generations of robots developed independent intelligence. Now, these free-thinking androids demanded equal rights to humans, and thus the riots begin.

alb5570048 Human head anatomy of skull, facial muscles, veins and arteries. 3D illustration on white background.

alb5570159 Full figure male muscular and skeletal systems. Front and rear views on black background.

alb5570433 3D illustration of full body skeletal, muscular and cardiovascular systems. Rear view on black background.

alb5570455 3D illustration of full body skeletal, muscular and cardiovascular systems. Front view on black background.

alb5570661 3D male anatomy illustration of the muscular and skeletal systems. Front perspective views on black background.